My Chanel Collection
Fashion fades, but style never (La mode se démode, le style jamais) according to Coco Chanel “the high priestess of twentieth-century fashion”.*
In this hand-made work, I reference the qualities of ‘innovation’ and ‘forever’ that mark a signature style to painstakingly recreate Chanel icons in my own style. The classic Chanel jacket and handbag are dream items, and symbols of success.
I have a personal association with this high-end brand as I was an illustrator for Chanel in Paris for almost a decade.
When I left Paris to come to Melbourne, I decided to make a farewell gift for Karl Lagerfeld, the Artistic Director of Chanel. I gave him an embroidered portrait made from hand-made recycled sequins. "Yes!" Karl took off his sunglasses, saying "C’est joli!" (This is beautiful!) He took several photos with his iphone, repeating "C’est joli!" and smiled at me. And he doesn’t smile very often!
I studied Fashion Design at Studio Berçot in Paris, but my particular way of working has its foundation in my home village of Kitagata, Japan - a village in the mountains that is covered with snow for five months every year. Farmers cannot work so they make traditional art and crafts at home to survive the harsh winters. During winter in Melbourne, I have punched and hand-stitched thousands and thousands of plastic sequins from local packaging, whilst thinking of Chanel and my family and neighbours in Japan.
This recycling aspect of my work does not sit easily with the consumption culture associated with the world of high fashion.
My mother was born into a modest family during the Second World War. She survived hunger and poverty after the war. She always said "Take care of what you use" and "Live with what we have". She grew all our vegetables and made everything we needed for our family. In winter, she sewed and knitted our clothes. I certainly did not learn ‘to buy‘ from her.
Until the early ’90’s, Japan enjoyed a booming economy. I moved to Tokyo during this time and quickly discovered a completely different world from my village. People valued spending. I enjoyed it too, and quickly adapted myself to spending and producing waste... I also felt ashamed that I was not following my mother’s teaching. Later, while living in Europe, I realised this culture of mass consumption came from the USA, and that Japan had followed it during the bubble era. During this ‘lost’ decade, I came to appreciate my mother’s words.
In this work, I have created 'luxury' art with everyday materials using what I have and what is around me. This is my ‘style‘.